By Megan Lawton, Enterprise reporter
There’s a difficulty dividing Okay-pop followers proper now – synthetic intelligence.
A number of of the style’s greatest stars have now used the know-how to create music movies and write lyrics, together with boy band Seventeen.
Final yr the South Korean group offered round 16 million albums, making them probably the most profitable Okay-pop acts in historical past. But it surely’s their most up-to-date album and single, Maestro, that’s obtained individuals speaking.
The music video options an AI-generated scene, and the report may nicely embody AI-generated lyrics too. On the launch of the album in Seoul, one of many band members, Woozi, informed reporters he was “experimenting” with AI when songwriting.
“We practised making songs with AI, as we need to develop together with know-how quite than complain about it,” he mentioned.
“It is a technological growth that we’ve got to leverage, not simply be dissatisfied with. I practised utilizing AI and tried to search for the professionals and cons.”
On Okay-pop dialogue pages, followers had been torn, with some saying extra rules should be in place earlier than the know-how turns into normalised.
Others had been extra open to it, together with tremendous fan Ashley Peralta. “If AI might help an artist overcome inventive blocks, then that’s OK with me,” says the 26-year-old.
Her fear although, is that a complete album of AI generated lyrics means followers will lose contact with their favorite musicians.
“I find it irresistible when music is a mirrored image of an artist and their feelings,” she says. “Okay-pop artists are way more revered after they’re fingers on with choreographing, lyric writing and composing, since you get a bit of their ideas and emotions.
“AI can take away that essential part that connects followers to the artists.”
Ashley presents Spill the Soju, a Okay-pop fan podcast, together with her finest pal Chelsea Toledo. Chelsea admires Seventeen for being a self-producing group, which implies they write their very own songs and choreograph them too, however she’s fearful about AI having an influence on that popularity.
“In the event that they had been to place out an album that’s stuffed with lyrics they hadn’t personally written, I don’t know if it might really feel like Seventeen any extra and followers need music that’s authentically them”.
For these working in Okay-Pop manufacturing, it’s no shock that artists are embracing new applied sciences.
Chris Nairn is a producer, composer and songwriter working underneath the title Azodi. Over the previous 12 years he’s written songs for Okay-pop artists together with Kim Woojin and main company SM Leisure.
Working with Okay-pop stars means Chris, who lives in Brighton, has spent lots of time in South Korea, whose music trade he describes as progressive.
“What I’ve discovered by hanging out in Seoul is that Koreans are large on innovation, and so they’re very large on ‘what is the subsequent factor?’, and asking, ‘how can we be one step forward?’ It actually hit me after I was there,” he says.
“So, to me, it is no shock that they are implementing AI in lyric writing, it is about maintaining with know-how.”
Is AI the way forward for Okay-pop? Chris isn’t so positive. As somebody who experiments with AI lyric mills, he doesn’t really feel the lyrics are robust sufficient for high artists.
“AI is placing out pretty good high quality stuff, however while you’re on the high tier of the songwriting recreation, usually, individuals who do finest have innovated and created one thing model new. AI works by taking what’s already been uploaded and subsequently can’t innovate by itself.”
If something, Chris predicts AI in Okay-pop will improve the demand for extra private songs.
“There’s going to be strain from followers to listen to lyrics which might be from the artist’s coronary heart, and subsequently sound completely different to any songs made utilizing AI”.
Seventeen aren’t the one Okay-pop band experimenting with AI. Lady group Aespa, who’ve a number of AI members in addition to human ones, additionally used the know-how of their newest music video. Supernova options generated scenes the place the faces of band members stay nonetheless as solely their mouths transfer.
Podcaster and super-fan Chelsea says it “triggered” lots of people.
“Okay-pop is thought for wonderful manufacturing and enhancing, so having complete scenes made from AI takes away the appeal,” she provides.
Chelsea additionally worries about artists not getting the suitable credit score. “With AI in movies it’s tougher to know if somebody’s authentic paintings has been stolen, it’s a very sensitive topic”.
Arpita Adhya is a music journalist and self-titled Okay-pop superfan. She believes the usage of AI within the trade is demonstrative of the strain artists are underneath to create new content material.
“Most recording artists will put out an album each two years, however Okay-pop teams are pushing out albums each six to eight months, as a result of there’s a lot hype round them.”
She additionally believes AI has been normalised within the trade, with the introduction of AI covers which have exploded on YouTube. The quilt tracks are created by followers and use know-how to imitate one other artist’s voice.
It is this sort of development that Arpita wish to see regulated, one thing western artists are calling for too.
Simply final month megastars together with Billie Eilish and Nicki Minaj wrote an open letter calling for the “predatory” use of AI within the music trade to be stopped.
They known as on tech corporations to pledge to not develop AI music-generation instruments “that undermine or exchange the human artistry of songwriters and artists, or deny us honest compensation for our work”.
For Arpita, an absence of rules means followers really feel an obligation to manage what’s and isn’t OK.
“While there are not any clear pointers on how a lot artists can and may’t use AI, we’ve got the battle of creating boundaries ourselves, and at all times asking ‘what is true and improper?’”
Fortunately she feels Okay-pop artists are conscious of public opinion and hopes there might be change.
“The followers are the most important half and so they have lots of affect over artists. Teams are at all times eager to be taught and hear, and if Seventeen and Aespa realise they’re hurting their followers, they’ll hopefully tackle that.”